Bhoot Part One The Haunted Ship movie review: Fear meets unintentional comedy in this Vicky Kaushal film – bollywood




Firing of the first part of ghost ship
during launch of
: Vicky Kaushal, Ashutosh Rana, Bhoomi Pednekar
Director: Bhanu Pratap Singh

For Bollywood, the recipe for a horror film is simple: scary make-up with bloodstain inclusions, background music and a few timely jumps. The beginner, author and director Bhanu Pratap Singh, shoots the first part: The ghost ship starring Vicki Kaushal refuses to correct the formula. The best thing you can say about Bhoot is that it’s not scandalously funny when part of the big screen of Ram Gopal Varma comes out, but it makes you crash in many places unconsciously.

As the name suggests, there is, of course, a ghost; a ghostly, torn puppet – now because Anabelle – with buttons instead of eyes; and an old teacher who performs daring experiments with supernatural powers and then sings mantras to overthrow spirits. And then our heroine, Vicky Kaushal, shows a complete Josh trying to solve the mystery of a ghost ship.

Vicki Kaushal in the Shoot the First Part plan.

Inspired by a true story, the film begins with the Sea Bird, a large ship that moors on the beach of Juhu in Mumbai without anyone on board. While the ship’s officers make jokes, yeh jarur padosi desh saajish hai, everything turns into fish when the couple disappears, thoughtlessly trying to play hide-and-seek on an abandoned ship. Meanwhile, a grieving officer from Pritvi (Vicky), dealing with personal losses, finds meaning in his life – to discover the truth about the seabird. Will he be able to reveal secrets? Is he coming out of there alive? That is the most important point of departure of the film.

I’d say the shooting’s everything, but it’s not scary. Except for the scenes in which the possessed girl slowly crawls along the walls of the ship, or in which a real ghost is screaming at the top of his lungs, there is almost nothing that can keep you on your guard. Even Bhoot’s fears are predictable!

Take a look at this. Film the first part: The ship’s spit truck is here:

Of course you can’t call it a wow experience for the brave hearts who took part in some exceptionally effective horror movies like Heavy or Turn off the lights. I even heard someone in the audience say that Bhoot is more like an episode of Aahat’s horror show.

The shooting starts skillfully, but is quickly lost and is predictable. The use of death horror tricks, such as crackling mirrors, and ghosts on mirrors, for example, do not do much. The very slow first half gets a bit annoying, the film only reaches a crescendo later in the second half and it seems to be too late. The worst thing is that even great exhibition material is not revealed very well, is a bit hurried and cannot answer all the questions.

The wiki ensures that this is done seriously and weighs personal guilt and care for the ship. In the scary scenes he doesn’t seem to be afraid. It wouldn’t be wrong to say he’s the one carrying the whole movie on his shoulders.

Bhumi Pednekar, in the role of Vicky’s wife, has a short and simple episodic role. His character appears in a few flashbacks and nothing happens to him.

Ashutosh Rana plays the role of Professor Joshi the exorcist, a role he played almost to perfection in Raaz, but which is ultimately a caricature of the shooter. Given his acting performance he was underestimated and got a half roasted character that’s too funny to be taken seriously.

Also read | Part I: The ghost ship:. The actual incident that inspired Vicky Kaushal in the film

The recording can be considered a decent first attempt by the director, but nothing less than horror films from the past. The screenwriter wrote about Vicky as a vulnerable man because of her troubled past, and that immediately showed what we saw in horror films, such as the nuances of Aamir Khan’s play in Talash.

What works for Bhoot is his time. With 116 minutes he clearly does not stretch himself senselessly, but given the icy rhythm of the plot it feels that way.

The soundtrack and sound effects can make or break a horror movie, and both do their work effectively in Bhoot. Full score for producers who have not added any songs or dance sequences, with the exception of a song by Channa Ve that captures the love story of Wiki-Bhumi.

In short, Bhoot has its ups and downs, but is not thirsty for more. A good performance by Vicki Kauschal, but enthusiastic fans of the genre will return disappointed.

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